Dear Diary, General, Journal

Dear Diary #5—Dying for Approval

Dear Diary,

The Scull of Persistence by Charr Crail
The Scull of Persistence by Charr Crail

 

It’s beyond imagining. You would never believe it. I just received an email from my favorite high school teacher praising my novel, Dreamers.

Sister Mary ___ (Alas, she hasn’t yet given me permission to use her actual name) is a nun in the Sisters of Charity religious order. She was only twenty five or so when she became my English teacher. She was funny, smart, and even prettier than the character Amy Adams played in that telling movie, Doubt.

Sister Mary loved literature like I did.  Once I found her after school sitting at her desk next to the window looking out on Sacred Heart Church. She was reading Shakespeare’s MacBeth, in another world, transfixed. I hated to interrupt her but of course I did. I remember she used to pound the floor with her little black shoe as she recited the poetry of Langston Hughes. Yes, Sr. Mary was both wonderful and frightening.

Her email of a week ago flows over me like honey. How thankful am I that she has had the persistence to stay in touch. What a different young woman I would have become back in 1962 if I had carried Sr. Mary’s words in my pocket. At seventeen I would have done anything for her approval. That small Irish-faced nun with twinkly eyes framed by her black Sisters of Charity bonnet held the keys to my fragile self-worth.

Writer with closed mouth
Stitched Mouth by Charr Crail

No, you won’t find anything about Sr. Mary in this diary. By the time I left high school, I had relegated her to the dustbin with all my other memories like old dolls turned ragged, ignored. I desperately wanted to leave everything connected with childhood behind.

Entering college, I put on a dark mask of disillusioned doom, the pose I thought I needed to become a serious author. I spent entire days attending classes without saying a word,  my mouth stitched tight with fear and resistance.  I remember the sensation of walking from class to the streetcar stop on a cold November day and not being able to breathe. By my sophomore year, I was literally dying for approval.

But things change. In my junior year, I signed up for Creative Writing, Playwriting, Poetry, English History and China & the Far East, classes that I found I loved.  Even better, I started to write. A September 1964 entry describes my first attempt at writing a novel.

“The excitement of writing is nerveless; my words are suspended. I have never felt so peace-like. Everything is warm and deeply comfortable to me.”

Hobbyhorse was the title of my first “book”, a florid stream-of-consciousness describing the up and downs of two young lovers told from alternating points of view, a style I just realize I duplicated in Dreamers. In Hobbyhorse, each chapter seesawed back and forth, the characters sifted like fool’s gold from the sluice box of my first experience falling in love.

Suddenly I felt joyful, happy to be alive. My diary for November 12, 1963 reads,  “I don’t even try to deaden my joy. It is slow-moving, calm.

The writer in me
Pondering by Charr Crail

And then another miracle! I found a teacher willing and eager to read my work. Dr. John Hart, English professor from Yale, was a small, thin man with a pronounced limp. Walking across the Tech campus, I’d stop to greet him, He’d be dragging his leg, his jacket blowing in the wind. He had a pale Irish face with a big squashy red nose. A few strands of light hair fell across his brow as he answered my questions in a quiet dreamy way. Each week I’d give him my chapters, typed double-spaced and folded lengthwise. He’d put them in his coat pocket. Oh! how eagerly I pondered his response.

__________________

Excerpt from Sr. Mary’s email:

Congratulations on your beautiful novel, Dreamers!  I love it!  You’ve caught so well the mood of the Sixties—the glories as well as the mistakes, the feelings, the actions, the many causes, and, yes, the dreams.  Your work is excellent, as you must know from the many descriptions on the book cover.  I especially like that by Vicki Weiland.  Your writing is indeed “taut, nuanced, sophisticated, and multi-layered.”  I’m sending your novel to my oldest niece, a psychologist who will understand well the beauty and the anguish of the sixties. I’ll let you know how she reacts.  Meanwhile, I just want you to know how proud I am of you and your work.  You’re in my prayers, now and always.  God bless you—and all those dear to you.

Artwork by Charr Crail
www.charrcrail.com

General, Readings

Dungeons & Dragons: Reading in My Old Hometown

Reading at Awesome Books

This was to be my first ever reading in my old hometown of Pittsburgh, PA and I was returning not only for this event but also for the reunion of Sacred Heart High School, Class of 1962. I’d be reading from my latest novel, Dreamers, A Coming of Age Love Story of the ‘60s, a story that echoes and frames my own childhood like an old family photo album.

The sky was a perfect blue, made bluer by the  white puffy clouds floating between skyscrapers.  My son, Jonas, also participating in the reading, led me down historic Liberty St toward Awesome Books. The light through the fall leaves on the tree-lined sidewalk radiated with pure possibility. A Columbus Day Parade was marching by as we walked into the bookstore for the first time.

Dan of Awesome Books and me

Awesome Book Store is a small, vintage, independent bookstore, classical in style. Every item–counter, cash register, bookshelves, tables, chairs, and the books themselves–was carefully placed for maximum artistic effect. There was an old typewriter casually positioned on a small wicker chair below a framed sign promoting future book events. Large, well-shined wood tables held all the latest titles of books I yearned to read.

Where would I be reading? The Awesome clerk, Dan, motioned me to a door, part way open, in the back where the event would be held. Inside I found a dark room, dreary, nearly empty too, cold and gray and windowless with a swath of scribbled brown paper on one wall, a bookshelf, a mirror and lots of boxes. It reminded me of the old coal cellar in the basement of my house on Foliage St. There was a small circle of green folding chairs set up surrounding a circular card table below one overhead light bulb.

The starkness emphatically spoke to the economic precariousness of independent bookstores working on a shoestring in this age of corporate, internet book aggregates.

This was not a medieval dungeon such as appears in any popular fantasy novel. It could have been Les MiserablesLa Boheme or another romantic musical. Yet it felt so familiar and spoke to those deep stark roots where Annie and Thomas, the main characters in Dreamers were born. Maybe it was that dungeon where I locked myself in all those years conjuring up Dreamers I thought.

But even so, a dungeon is a dungeon, but dragons are both different and personal. My dragons were spewing their usual fire, taunting me with gloomy predictions; you’ll have no audience, no books sold. You’ll fall flat on your face. You’ll get dizzy and confused. And so on. The flames were full of general, debilitating angst.

Still, looking around, I realized that this small room reminded me of something else–the dark, cold inner circle of the Native American sweat lodge that I write about in Sundagger.net. It would be empty too, barren and cold before the door was shut, before the hot stones were brought in, and before the singing and drumming began. Here appearances meant nothing.

Reaching to the Awesome Audience

This was a place of purification, where all distractions were eliminated, where all that mattered was the story.

I began my reading by saying, “You are my hardest audience.” Oh, I could feel those dragons hanging from my neck. Facing those classmates of long ago and my family from far away, you could say I had more to lose here than in any other place I had read.

But my dragons were just ghosts. The audience filled the room in a very big and inspiring way, like the sky outside on that beautiful October day. I had no doubt we were together again for a reason.  Listening to my son bring alive the powerful role of Thomas, I felt free of both dragons and dungeons too, transported into that space where I wrote the book. It was the ‘60s again, when the Civil Rights Movement was at its height, when all was romance, epic and life-changing, and dreaming was as common as breath. I had come home at last.